Sync

What you need to know about your music in TV, Films, Games & Advertising.

How does licensing a cover work?
What are the sync briefs that I receive via email?
How long does it take for my track to be reviewed into the catalogue?
Can Music Gateway upload my music for me?
What is a PRO?
Do you have a bulk upload system?
Why was my submission not accepted?
Why has my track been rejected from the catalogue even though it was accepted previously?
How do I get in touch with a music supervisor?
How do I know if I get a Sync Placement, and what happens if a buyer is interested?
Can I Find Music for My Own Projects on Music Gateway?
Can I submit to sync opportunities after a deadline?
Do tracks need to be mastered before I submit them to sync?
How much do I earn from a sync licence?
What happens if I miss a brief deadline?
How will I know if my tracks are successful?
Should I sign the exclusive or non-exclusive agreement?
Why do some briefs have such a short turn around?
Why is sync important for my music?
Can I use samples in my music for sync?
Can I submit covers to sync?
How do I know if I am able to enter into your sync terms?
Can I submit unreleased music?
What is Music Gateway’s policy on representing retitled works?
What is an ISRC and ISWC and why are they important for sync?
Can I change my sync agreement type?
Can you still represent my music even if I don't use Music Gateway as a publishing administrator?
Can you represent my track for sync if I don’t control 100% of the rights?
What are the benefits of being represented by a Sync Agency?
What is a 1-2-1 Sync Session?
Can I control what type of syncs you put my song forward to?
How do you write music for sync?
What does ‘one-stop’ mean in sync licensing?
Why do you need to know master & publishing rights for sync?
What is the Music Discovery Score and why is it important?
Is Music Gateway exclusive or non-exclusive?
Where does Music Gateway send music?
How do I submit music to sync briefs?
How do I get started with sync?
What is sync licensing?