Sync

What you need to know about your music in TV, Films, Games & Advertising.

• Can you represent my track for sync if I don’t control 100% of the rights?
• Can you still represent my tracks for sync even if the publishing doesn't go through you?
• Can I change the type of agreement my song is under?
• Do tracks need to be mastered before submission to the sync catalogue?
• Why do you need an ISRC and ISWC for sync?
• What is Music Gateway’s policy on representing retitled works?
• Can you represent unreleased music?
• How do I know if I am able to enter into your sync terms?
• What are the benefits of being represented by a Sync Agency?
• What is a 1-2-1 Sync Session?
• Can I submit covers for sync?
• Can I use samples in my music?
• Can I control what type of syncs you put my song forward to?
• How do you write music for sync?
• What does ‘one-stop’ mean in sync licensing?
• Why do you need to know master & publishing rights for sync?
• Why should I be interested in sync for my music?
• Why do sync briefs have such a short turn around?
• What is the Music Discovery Score and why is it important?
• How do I decide where exclusive or non-exclusive is best for my music?
• Is Music Gateway exclusive or non-exclusive?
• How will I know if my tracks are successful?
• Where does Music Gateway send music?
• What happens if I miss a brief deadline?
• How do I submit music to sync briefs?
• How much will I make from a sync licence?
• How do I get started with sync?
• What does it mean if Music Gateway is my sync agent?
• What is sync licensing?