Sync

What you need to know about your music in TV, Films, Games & Advertising.

• How much do I earn from a sync licence?
• What happens if I miss a brief deadline?
• How will I know if my tracks are successful?
• Should I sign the exclusive or non-exclusive agreement?
• Why do some briefs have such a short turn around?
• Why is sync important for my music?
• Can I use samples in my music for sync?
• Can I submit covers to sync?
• How do I know if I am able to enter into your sync terms?
• Can I submit unreleased music?
• What is Music Gateway’s policy on representing retitled works?
• What is an ISRC and ISWC and why are they important for sync?
• Do tracks need to be mastered before I submit them to sync?
• Can I change my sync agreement type?
• Can you still represent my music even if I don't use Music Gateway as a publishing administrator?
• Can you represent my track for sync if I don’t control 100% of the rights?
• What are the benefits of being represented by a Sync Agency?
• What is a 1-2-1 Sync Session?
• Can I control what type of syncs you put my song forward to?
• How do you write music for sync?
• What does ‘one-stop’ mean in sync licensing?
• Why do you need to know master & publishing rights for sync?
• What is the Music Discovery Score and why is it important?
• Is Music Gateway exclusive or non-exclusive?
• Where does Music Gateway send music?
• How do I submit music to sync briefs?
• How do I get started with sync?
• What is sync licensing?
• How does licensing a cover work?
• What are the sync briefs that I receive via email?
• How long does it take for my track to be reviewed into the catalogue?
• Can Music Gateway upload my music for me?
• What is a PRO?
• Do you have a bulk upload system?
• Why was my submission not accepted?