Music Gateway Help
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Sync
Getting started
Promotion
DSP Promotion (Spotify)
Distribution
Content ID
Sync
Publishing
Ignite
Mastering
General
My Account
Royalty Reports
Label submissions
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Music Gateway Help
Sync
Getting started
Promotion
DSP Promotion (Spotify)
Distribution
Content ID
Sync
Publishing
Ignite
Mastering
General
My Account
Royalty Reports
Label submissions
Sync
What you need to know about your music in TV, Films, Games & Advertising.
Can you represent my track for sync if I don’t control 100% of the rights?
Can you still represent my tracks for sync even if the publishing doesn't go through you?
Can I change the type of agreement my song is under?
Do tracks need to be mastered before submission to the sync catalogue?
Why do you need an ISRC and ISWC for sync?
What is Music Gateway’s policy on representing retitled works?
Can you represent unreleased music?
How do I know if I am able to enter into your sync terms?
What are the benefits of being represented by a Sync Agency?
What is a 1-2-1 Sync Session?
Can I submit covers for sync?
Can I use samples in my music?
Can I control what type of syncs you put my song forward to?
How do you write music for sync?
What does ‘one-stop’ mean in sync licensing?
Why do you need to know master & publishing rights for sync?
Why should I be interested in sync for my music?
Why do sync briefs have such a short turn around?
What is the Music Discovery Score and why is it important?
How do I decide where exclusive or non-exclusive is best for my music?
Is Music Gateway exclusive or non-exclusive?
How will I know if my tracks are successful?
Where does Music Gateway send music?
What happens if I miss a brief deadline?
How do I submit music to sync briefs?
How much will I make from a sync licence?
How do I get started with sync?
What does it mean if Music Gateway is my sync agent?
What is sync licensing?